Maya Nirvani clawed her way out of a prison that doesn’t officially exist. Eight years erased from memory. A name she barely remembers. A past stitched with silence, shadows… and screams.
Freedom isn’t peace—it’s the beginning of a deeper game.
Adrian is still inside. The boy who once made her heart race is now a stranger locked behind bars made of blood and lies. Saving him means crawling back into the mouth of the monster. And monsters don’t like losing their favorite toys.
To pull it off, Maya needs help—from Matteo, the kind of man who doesn’t offer second chances. He doesn’t ask questions, but the way he looks at her? It’s like he knows something she doesn’t. Something buried. Something breathing.
Each step closer to Adrian means peeling back the layers of her own past. The truth isn’t just ugly—it’s feral. And Tamira, the woman who puppeteered her pain, is still out there… watching, waiting, planning.
Maya escaped once. But escape is just a beginning.
This time, someone else will pay.
How do you run from something still inside you?
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Anusua T.Choudhury
Anusua T. Choudhury is not your average author—and Forty-Seven is no ordinary debut. With three published works under her belt before the age of fifteen, Anusua weaves stories that are far older than her years, laced with psychological tension, haunting emotional beats, and the quiet fire of survival.
A student, public speaker, and author with an eye for the unsettling and the profound, she began writing at the age of 10. Her works don’t just entertain—they confront, expose, and dare readers to ask the kind of questions they were taught to fear.
Rooted in a passion for justice and a love for layered, complex narratives, Anusua's voice blends grit with grace. She’s fascinated by the human mind—what breaks it, what rebuilds it, and what lies beneath when you strip away the surface. Her characters, much like herself, don’t wait to be saved. They burn down walls and crawl through the smoke.
Anusua is also known in debate circuits for her commanding presence and calculated arguments
In her off hours (when she’s not building fictional worlds or demolishing opponents in public speaking), she advocates for gender justice and pens articles on social change
Anusua believes that fiction isn’t about escape—it’s about revelation. And Forty-Seven is her sharpest revelation yet.
