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Subrat SaurabhAuthor of Kuch Woh PalBitla Srinivasulu is an Associate Professor of English in Sreyas Institute of Engineering and Technology, Bandlaguda, Hyderabad, Telangana State, India. He is a doctorate from Kakatiya University, obtained in the year 2012. Authored three books from national and international publishers and also published 9 articles in the national and international journals. He is also a speaker and presented 7 papers in the international conferences. He is a story writer. He has been in the teaching field for 24 years. An excellent teacher and a humanist. Read More...
Bitla Srinivasulu is an Associate Professor of English in Sreyas Institute of Engineering and Technology, Bandlaguda, Hyderabad, Telangana State, India. He is a doctorate from Kakatiya University, obtained in the year 2012. Authored three books from national and international publishers and also published 9 articles in the national and international journals. He is also a speaker and presented 7 papers in the international conferences. He is a story writer. He has been in the teaching field for 24 years. An excellent teacher and a humanist.
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Though written history of Telugu drama is of recent origin, the sculptural and inscriptional evidence suggests that the performing arts flourished in Andhra by the second century b.c. The first written evidence of the dramatic enactment was by Palkuriki Somanatha in the thirteenth century ad. The only extant play of the medieval period is Kridabhiramam, translated from Sanskrit by Vinukonda Vallabharayudu. In the fourteenth and fifteenth centuries, Sanskrit
Though written history of Telugu drama is of recent origin, the sculptural and inscriptional evidence suggests that the performing arts flourished in Andhra by the second century b.c. The first written evidence of the dramatic enactment was by Palkuriki Somanatha in the thirteenth century ad. The only extant play of the medieval period is Kridabhiramam, translated from Sanskrit by Vinukonda Vallabharayudu. In the fourteenth and fifteenth centuries, Sanskrit dramas were translated as kavyas in poetic. Later the Nayaka (1565–1673) and Maratha (1674–1855) kings of Thanjavur chose Telugu as their court language and patronized drama through song-and-dance yakshaganas, performed both in the court and village squares.
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