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"It was a wonderful experience interacting with you and appreciate the way you have planned and executed the whole publication process within the agreed timelines.”
Subrat SaurabhAuthor of Kuch Woh Pal
V.S. Narasimhan
The author, V.S. Narasimhan, is a well-known violinist and composer hailing from Tamil Nadu, India. He is exceptional in that he is trained in both the Carnatic musical tradition and the Western classical tradition and feels equally at home with both systems. Early in his career, he was recognized for his accomplishments in the film industry of the South. This includes his work as a composer and as a performer of violin solos in works by well. He is now recognized foremost for the novel musical contributions he has made as the founder and first violinist of the Madras String Quartet—a projecRead More...
Hybrid Music in Carnatic and Western Classical Style: Volume 1
Books by V S Narasimhan
“I too have a dream”, says V.S. Narasimhan, author of this book.
Someday the sound of St. Thyagaraja’s compositions should be heard in places like Carnegie Hall!
It is my desire and vision that cello should become a prominent instrument of Carnatic music both as solo and accompanying instruments just as the violin is. The grandeur of the tone of a cello in Carnatic music is something I hear in my head. Similarly bass players could incorpora
Hybrid Music in Carnatic and Western Classical Style: Volume 1
Books by V S Narasimhan
“I too have a dream”, says V.S. Narasimhan, author of this book.
Someday the sound of St. Thyagaraja’s compositions should be heard in places like Carnegie Hall!
It is my desire and vision that cello should become a prominent instrument of Carnatic music both as solo and accompanying instruments just as the violin is. The grandeur of the tone of a cello in Carnatic music is something I hear in my head. Similarly bass players could incorpora
Carnatic & Western Music
Books by V.S. Narasimhan
“I too have a dream”, says V.S. Narasimhan, author of this book.
Someday the sound of St. Thyagaraja’s compositions should be heard in places like Carnegie Hall!
It is my desire and vision that cello should become a prominent instrument of Carnatic music both as solo and accompanying instrument just as the violin is. The grandeur of the tone of a cello in Carnatic music is something I hear in my head. Similarly bass players could incorporat
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