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Subrat SaurabhAuthor of Kuch Woh PalThis book is an example of how profound subjects can be explained in simple way without the load of erudition. Most complex among Shad Darshanas, ‘Yoga Darshana’ is the subject matter of this book which is interpreted, explained and reviewed with sharp and wide perspective by Ichhanusari. This book will definitely enrich the common reader with the knowledge of Yoga, Mind and Matter relation. His analysis of relation of mind, matter and body, is unique. To est
This book is an example of how profound subjects can be explained in simple way without the load of erudition. Most complex among Shad Darshanas, ‘Yoga Darshana’ is the subject matter of this book which is interpreted, explained and reviewed with sharp and wide perspective by Ichhanusari. This book will definitely enrich the common reader with the knowledge of Yoga, Mind and Matter relation. His analysis of relation of mind, matter and body, is unique. To establish his point, he dissects both West and East theories on Mind with enviable expertise. Another attempt by the author in this book is to trace the roots of Yoga into the Sraamanic tradition of pre-Vedic period, which he has done meticulously well with the help of facts, figures and evidence, deserving a clap. There are innumerable books on Yoga but this one, Paatanjala Yoga: A Psychological Perspective will distinctly stand out.
The best among poets who have transcended the apparent reality and reached the ‘unapparent’ (courtesy P.B. Shelley) have evolved a language of their own. One can’t read Sri Aurabindo unless one is fairly familiar with his special terminology of the integral yoga. Rilke and Yeats have their own symbology, their own idiom. They are not ashamed of fathering fresh words with rooted connotations. Ichhanusari is on the line of that endless search, probing i
The best among poets who have transcended the apparent reality and reached the ‘unapparent’ (courtesy P.B. Shelley) have evolved a language of their own. One can’t read Sri Aurabindo unless one is fairly familiar with his special terminology of the integral yoga. Rilke and Yeats have their own symbology, their own idiom. They are not ashamed of fathering fresh words with rooted connotations. Ichhanusari is on the line of that endless search, probing into the foundations of existence. That he is competent for the task is evinced by any passage in this leaves. Yet, full communication with his muse is out of the common man’s reach. Gita, Ichha, Gathi, Marga etc. are terms known even to the casual reader in India; but they acquire a special mark of meaning in his hands. The poet knows, of all people, very well about the trait of his work and he leaves a word of caution. But those who are of sharp sensitiveness and warm sympathy will feel amply rewarded after reading through his lines. They carry the fragrance of supreme sincerity in artistic expression. One can’t fail to distinguish the ring of the true metal in his coinage, especially so in our age of counterfeits. I wish he were not alone in his Marga, his path of seeking and finding and singing about the ultimate goal of life.
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