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Subrat SaurabhAuthor of Kuch Woh PalRuma Chakravarty is a trained & certified Indian Classical Musician and a certified & practicing Indian Music Therapist. She is a John Mattone certified leadership executive coach (practicing) and a Richard Bandler certified licensed NLP practitioner. Ruma is a PhD Scholar and holds a Master's Degree in Biophysics. She is the Founder of Factorize, a company dedicated to Reflective Leadership Coaching & Training, Indian Music Therapy and Research and publishing. Ruma has spearheaded the design and development of various Courses on Indian Music Therapy to widen the prospect of Music Therapy withRead More...
Ruma Chakravarty is a trained & certified Indian Classical Musician and a certified & practicing Indian Music Therapist. She is a John Mattone certified leadership executive coach (practicing) and a Richard Bandler certified licensed NLP practitioner. Ruma is a PhD Scholar and holds a Master's Degree in Biophysics. She is the Founder of Factorize, a company dedicated to Reflective Leadership Coaching & Training, Indian Music Therapy and Research and publishing. Ruma has spearheaded the design and development of various Courses on Indian Music Therapy to widen the prospect of Music Therapy with Indian Music. She predominantly works with corporate houses and professionals for Executive Coaching. Ruma loves to juggle between her two professions - Excutive Coacing and Music Therapy. She is also a passionate speaker and a trainer.
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“Acquiring knowledge by reading and exploring music therapy is great, however, applying the knowledge acquaints one with unknown dimensions that come only with experience, experiment and more practice”
Music Therapy with Indian Music (Essentials & Sources) - Volume 2 continues from Volume 1 of this book. This Volume primarily focuses on the scientific, realistic and practical applications of Indian music therapy with suitably d
“Acquiring knowledge by reading and exploring music therapy is great, however, applying the knowledge acquaints one with unknown dimensions that come only with experience, experiment and more practice”
Music Therapy with Indian Music (Essentials & Sources) - Volume 2 continues from Volume 1 of this book. This Volume primarily focuses on the scientific, realistic and practical applications of Indian music therapy with suitably designed interventions, real-life examples and case studies. The target readers are the students, therapists, professionals and all others who would like to know about the practical applications of Indian Music Therapy.
For convenience of reading, the book is divided into three sections covering the genre with its allied subjects, therapy processes & interventions for diverse conditions & target groups, examples and case studies.
This book is intended for students who would like to understand the essentials of Music Therapy with the framework of Indian music structure. At the same time the book tries to give a direction to them for digging dipper into the subject and research more on Music Therapy. For convenience of reading, the book is divided in three sections covering the essentials required for a professional music therapist, the origin of Indian music Therapy practices and basics
This book is intended for students who would like to understand the essentials of Music Therapy with the framework of Indian music structure. At the same time the book tries to give a direction to them for digging dipper into the subject and research more on Music Therapy. For convenience of reading, the book is divided in three sections covering the essentials required for a professional music therapist, the origin of Indian music Therapy practices and basics of designing music therapy.This book attempts ‘linking the sources to the practice of music therapy’. Many musicology researches are being done (and already done) on ancient texts; also healing aspects of Indian music is written about by scholars. Here in this book the author's intention is to string together many elements and techniques of India's age old traditional music into a single thread and see if that makes a complete therapeutic model; and then try relating those to today’s music therapy practices with Indian music.
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