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Subrat SaurabhAuthor of Kuch Woh Pal
A Star Keeps Its Distance
Amaya Stein is twenty-eight years old, professionally capable, and very good at not wanting things she can't name.
She has a novel she is not writing. A biopsy scheduled for next week. And a K-pop assignment she did not ask for — her editor, who is also her aunt, has sent her to cover MYNX, one of the biggest acts in the world, at the height of their global tour.
Amaya arrives skeptical. She leaves changed.
Somewhere between the fan chants and the fancams, the late-night messages on Echo with a stranger who turns out to be paying very close attention, and one kitchen in Manayunk where two people cook dinner without planning to, something in her stops managing itself from a safe distance.
Noah — Korean American, main vocalist, the one who writes the songs — has spent five years becoming the person the industry built him to be. He is very good at performing warmth. He is less practiced at the real thing. Amaya, who sees through performance for a living, is the wrong person to be this honest with.
Or the right one.
Set between Philadelphia and Seoul, A Star Keeps Its Distance is a love story about music, belonging, and the gap between who you perform yourself to be and who you actually are. It is about the things we hold at arm's length because naming them feels like too much — and the people who make us want to stop.
For readers of Beach Read, The Kiss Quotient, and People We Meet on Vacation — a warm, quiet romance with a lot of feeling in it.
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Lakshmi Iyer
Some questions follow you. For Lakshmi Iyer, they have always been the ones about belonging — where it comes from, how it’s made, whether it can be chosen.
Lakshmi writes Belonging, Mostly, a newsletter of essays at the intersection of adoption, Indian-American identity, and the stories we tell ourselves about family, culture, and home. Her writing moves between the personal and the political, the intimate and the expansive — tracing the fault lines of diaspora, the tender complications of adoptive motherhood, and what it means to raise children who are becoming themselves in a world that doesn’t always know what to make of them.
When she is not writing, she is watching the sky, losing herself in Korean and Chinese dramas, and being quietly astonished by her kids.
