"It was a wonderful experience interacting with you and appreciate the way you have planned and executed the whole publication process within the agreed timelines.”
Subrat SaurabhAuthor of Kuch Woh Pal
The anthology is remarkable for its multidimensional expressions. It contains the articles; A Whore Can’t Be Raped by Dr. Bishnu Prasad Varma, Indian Theatrical Techniques and Verfremdung (Alienation) Effect in Naga-Mandala by Dr. Hinchha Narayan Vishwakarma, New Dramatic Techniques as a Response to Traditional Structures in Suzan-Lori Parks’ In The Blood by Emmerencia Beh Sih, Theme and Dramatic Techniques in Dattani’s Thirty Days in September by Prof. Dr. Ravi Chapke, Stagecraft and Techniques in Mahesh Dattani’s Tara by Prof. Sarita Uttamrao Chandankar (Chapke), Existence, Power, and Narration: A Study of Samuel Beckett’s Waiting for Godot by Sanjna Plawat, Delineation of Women Characters in the Selected Plays of Girish Karnad by Yasmeena Jan and Dr. Shachi Sood, Is Mrs Meldon, a Murderer or Pacifist?: A study of St. John Ervine’s one-act play, Progress by Basudeb Saha, Anton Chekov: The Struggle with Realism by Dr Lakshmi Balaji and Socio-Political Consciousness in Asif Currimbhoy’s Inquilab by Vinay Kumar Dubey.
Dr Ram Avadh Prajapati & Sanjeev Kumar Vishwakarma
1. Dr Ram Avadh Prajapati (NET, PhD) is working as an Assistant Professor of English in Bareilly College, Bareilly, Uttar Pradesh, India
2. Dr Sanjeev Kumar Vishwakarma (JRF, PhD) is working as an Assistant Professor of English in Deen Dayal Upadhyaya Gorakhpur University, Gorakhpur, Uttar Pradesh, India
